GATEWAYS
TO ORANGE

MURAL
LOCATIONS

ABOUT THE
MURAL PROJECT

The Arts Center in Orange’s first major project for our community was the original Gateway Mural, which stood at the entrance to the Town of Orange and greeted visitors. Although that mural is now gone, we continue the tradition and look ahead to another 25 years of bringing art to Orange.

In keeping with our commitment to bringing new art experiences to our community, three mural artists were selected to create murals for Orange via open call: Rick Nickel, Juan Pineda, and Kim Carlino. Each artist visited Orange and created their mural between June and September 2022, with the help of over 50 local volunteers.

Scroll down to learn more about each mural, the artists, and the process!


GATEWAYS TO ORANGE
SELECTION COMMITTEE

  • Pam Black | Local Artist

  • Ed Harvey | Board President, The Arts Center in Orange

  • Chuck Mason | Mason Insurance Agency, Inc.

  • Anna Pillow | Executive Director, The Arts Center in Orange

  • Page Sullenberger | Community Member


Learn more about this project, the process, and what it means for our community:

  • Did you know that every dollar of National Endowment for the Arts funding leverages $9 of private and public dollars that fuel the cultural economy and generates jobs? That’s because the Arts strengthen the economy – the nonprofit arts industry (which includes The Arts Center) creates economic activity, government revenue and jobs!

    The Arts support local business – with attendees at arts events spending $24.60 per person in supplemental spending (meals, babysitters, shopping) – by building revenue for local commerce and the community.

    The Arts drive tourism. Arts travelers are ideal tourists, staying longer and spending more to seek out authentic cultural experiences. Arts destinations grow the economy by attracting foreign visitor spending. The U.S. Department of Commerce reports that, between 2003-2015, the percentage of international travelers including “art gallery and museum visits” on their trip grew from 17 to 29 percent, and the share attending “concerts, plays, and musicals” increased from 13 to 16 percent.

  • Murals are a large painting on a wall or ceiling, indoors or outdoors.  In a world before the Internet and a time when art was primarily a luxury unavailable to everyday citizens, architectural spaces were visible to all and artists like Diego Rivera were hired by governments to use those spaces to tell the stories that those governments wanted to tell.  As part of the New Deal, FDR created an art program in the U.S., hiring artists to “Integrate the fine with the practical arts and, more especially, the arts in general with the daily life of the community.”  Over 200,000 art works were made during this program.  2,500 of these were murals. 

    In the 1960’s and ‘70’s, as communities moved from cities to suburbs, the buildings and infrastructure became canvases for community projects and artists who, at first, used these spaces as canvases to express social issues (remember, there was no Internet back then).  As the impact of those works became more and more apparent, murals became less about telling a story and more about the spaces around them – combining architecture and art in a way that celebrates spaces.

    Over time contemporary murals became an art form of their own, enlivening more abandoned structures as mural projects spread throughout the country – from large cities to small towns.   In the early 2000s, the Arts Center sponsored a gateway mural here in the Town of Orange, which stood for over a decade and welcomed locals and visitors.  The Gateways to Orange Project pays homage to that first mural.

  • The Arts Center in Orange provides a facility dedicated to contemporary art, by charter. The classes, gallery shows and activities we sponsor (on our own and with the support of our community partners) both support local art and bring the world of art to our doorstep.  The Arts Center was formed 25 years ago when a group of local residents wanted to bring the arts and arts education to our community – and we look forward continuing to bring programs, art, and artists to Orange, VA for decades to come!

  • It is our summer project, part of our celebration of our 25th Anniversary since the founding of the Arts Center in Orange. In 2020, we applied for a grant from the National Endowment for the Arts to honor our history as the sponsor of the first mural in Orange, with 3 new, contemporary murals.

  • Once we were notified that we had won the grant to fund the project, we identified potential mural locations throughout the Town. What followed were a series of meetings with local property owners. From these conversations, 3 locations were selected and submitted to the National Endowment for the Arts. Each of these locations had to undergo a screening process which included a physical evaluation and a historic review before they were approved. Once approved, the locations were submitted to the Planning Commission for Approval.

  • Shortly after we received confirmation that we had been awarded the grant, we sent out invitations to artists everywhere to participate, through the local newspaper and regional newspaper articles, on local TV news, and by sharing information about the opportunity directly with local artists. We formed a committee of people who had arts or community backgrounds to help us choose the artists.

    Each artist was asked to submit a concept design. These are quick sketches of their vision for one of the mural locations. And they are general concepts, because one of the requirements for the artists was to be willing to get community input and even make changes to their designs based on that input.

    We received 24 applications – local artists, regional artists, nationally-known artists and even international artists! From these applications, the committee chose three artists for this project based on the concept, the artist’s experience and the artists philosophies.

  • That’s okay! Art is subjective., and contemporary art is about conversation. Research shows that the presence of art inspires participation by the community, increased economic activity and more tourism. The blend of traditional topics – like the fox hunting scene or the old Coca-Cola advertisement – with contemporary scenes like the three murals in this project are inviting to people with a wide range of interests.

WE ARE STRANGE AND BEAUTIFUL VESSELS
RICK NICKEL


  • ”What is a vessel? Or. What is a vessel for? A container filled with something, or that can be filled with something.  

    We are vessels, strange and fragile vessels. Each formed by time and experience. Each nick or chip tells a story. We all have purpose .  

     If someone called you an empty vessel would you be offended?  Is there value in an empty vessel? In eastern philosophy being called an empty vessel is a compliment. Perhaps your vessel was used to give food to others? Perhaps your vessel is empty as it is open to be filled with new experiences, to life and consideration for others.  

     We are vessels, what do we contain?  Water? 70 percent or so. calcium, electricity, iron, sodium. All the elements of the earth really. What else do our strange fragile and beautiful vessels contain?  

    Memories of our first kiss, memories of our last kiss. Memories of singing in church and ice skating in the park and even bad memories of close friends or family dying. This might be our first chip or crack; part of us is lost forever. Our vessels contain favorite songs and recipes for the best lasagna you will ever have. Some of us even remember a few good lines from poems. This vessel never seems to be filled, there is always room for another heartbreak or another love song.  

     The vessel you have is beautiful because it is yours. Your experiences, both good and bad helped shape this strange and beautiful vessel. Cherish those strange curves and small nicks or cracks and fill it with the things to share with people. “

  • The Arts Center is a community organization where people can “fill their vessel” by learning new skills and information. It is also a place where people can become empty vessels—through sharing their knowledge with others, presenting their artwork, or engaging with the community. An empty vessel is one waiting to be filled again, full of potential. This mural reflects the potential and creativity of our community by depicting people as the fragile, beautiful containers we all are.


ABOUT THE ARTIST
RICK NICKEL

Richard Nickel (b. 1969 | Rochester, NY) is an artist, ceramicist, and educator. From a young age, he was influenced by the comics, cartoons and creativity of the 1970s. He began drawing as a child, and these cultural elements inspired his drawing style, as well as his understanding of the world around him. Nickel received his Associate's in Fine Arts from Monroe Community College (Rochester) before attending SUNY Buffalo State, where he graduated with a BS in Art Education in 1996. He went on to attain a Master of Fine Arts in Ceramics at Edinboro University of Pennsylvania in 2000, and later that year he began teaching Art Education and Ceramics at Valley City University in North Dakota.

In 2002, he began teaching at Old Dominion University in Norfolk, VA, where he has remained since. During his tenure he has served as Art Education Program Director and Assistant Professor of Ceramics and Arts Education. Presently he is an Associate Professor of Ceramics and Art Education.

As an artist, Nickel has been featured in exhibitions nationally and internationally. His work seeks to explore the role of humor in art to balance life's tragedies and provide a more well-rounded understanding of the human experience. He has completed multiple large-scale murals within the United States.

Visit the artist’s website to learn more about his work.

TRANQUILITY OF RURAL LIFE
JUAN PINEDA



ABOUT THE ARTIST
JUAN PINEDA

Juan Pablo “CRI” Pineda is a Maryland-based visual artist, whose distinct style is characterized as urban-contemporary/street art. His deep connection to traditions have resulted in unique mural work in the Maryland and Washington, D.C. area since the mid 90's. CRI received the Proclamation Award from the City of Hyattsville for his mural entitled; "In Memory of Freddy ''. In addition to creating original works of art, he also specializes in restoration and preservation of public work. In 2005 & 2014, Pineda was recognized by the “The Washington Post '' for restoring the last and only remaining outdoor Latino mural in the Nation's Capital entitled "A People without Murals is a Demuralized People '', originally created in 1977. In 2016, he partnered with Bethesda Arts & Entertainment and Arts Brookfield to create an epic mural that covers much of the entrance to the Bethesda Metro Center. Pineda consults and volunteers with various causes that are related to art and culture. He continues to create art in all mediums and categories and is one of the most prolific and well known muralists in the DMV.

Visit the artist’s website to learn more about his work.

HATCH ME A DREAM
KIM CARLINO




ABOUT THE ARTIST
KIM CARLINO

Kim Carlino is an artist based out of Easthampton, Massachusetts and has been painting large-scale murals and public art projects since 2014. Her work is based in eco-geometric abstraction exploring themes of place, poetics and experience. Abstraction for her is a tool to synthesize her daily experiences into visual renderings of relationships of color and form as she explore simultaneously her inner landscape in relation to her exterior one. She looks for ways to evoke the world around her in purely sensorial ways with no direct translation of these forms, from the movement of the wind across a field to the feeling of the meandering path across a hillside. These sensations feel familiar yet unknowable as they rest edge to edge in jarring closeness and connection. Her visual vocabulary is filled with juxtapositions of disparate color relationships, basic, primal forms such as hexagons, squares and circles, repeating optical motifs, and repetitive linear mark making that acts as a metronome capturing the passing of time.

Visit the artist’s website to learn more about her work.

Video of Kim Carlino’s 2019 mural at Arsenal Yards.


The Gateways to Orange Mural Project is supported in part by an award from the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.

Additional support for community events, summer workshops, and additional programming concurrent with or related to the mural project provided by:

…and Community Members just like you!